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Lauren Bacall : “ I’m hard to get, Steve. All you have to do is ask me”. As Slim in TO HAVE AND HAVE NOT




BETTE DAVIS : “ I’ve been betrayed so often by tomorrows, I don’t dare promise them.” As Joyce Heath in DANGEROUS (1935) 



J. CAGNEY : “ My best friend gets hit by a street car, there’s a Civil war in Spain, we have an earthquake in Japan.. and now you wear that hat!” in GREAT GUY (1936)




M. BRANDO : “ I’m going to make him an offer he cant refuse”. As Don Vito Corleone in THE GODFATHER (1972)




C. GRANT :  “ If youre going to kill someone , do ti simply “ as Johnnie Aysgarth in SUSPICION (1941)




I BERGMAN : “ This is a very strange love affair.” As Alicia Huberman in NOTORIOUS (1946)




 JOAN CRAWFORD : “ Say, can you beat him? He almost stood me up for his wife” as Crystal Allen in THE WOMEN (1939)




JOAN FONTAIN :  “ I know nothing happens by chance. Every moment, every step is measured.” As Lisa Berndl in LETTER FROM AN UNKNOWN WOMAN ( 1948)




 L.OLIVIER : “ Why did God give me life? What is it but hunger and pain?” as Heatcliff in WEATHERING HEIGHTS ( 1939)




K. HEPBURN :  “ No woman could ever run for president. She’d have to admit she was overh thirty-five” as Mary Matthews in STATE OF THE UNION





S. TRACY : “ I can be interested in the country without being interested in politics” as Grant Matthews in STATE OF THE UNION




 

G. KELLY :  “ Back home everyone said I didn’t have any talent. They might be saying the same thing over here but it sounds better in French.” As Jerry Mulligan in AN AMERICAN IN PARIS




P.NEWMAN : “ Mistakes, you know. We all make ‘em, God knows” as John Rooney in ROAD TO PERDITION




 M. DIETRICH:  “ You’re a mess, honey” as Tanya in TOUCH OF EVIL ( 1958)




 R.MITCHUM :  “ It’s quite simple really. I’m just not very good at resisting temptation” as Charles Delacro in THE GRASS IS GREENER ( 1960)





P.NEWMAN : “ Natural law, sons are put on this earth to trouble their fathers” as John Rooney in ROAD TO PERDITION (2002)




P. O’ TOOL :  “ I’m suddenly very intelligent. It probably comes from making love to that Frech girl last night “. As King Henry II in BECKET (1964)




M.ROONEY :  “ You know, I have a feeling you’re going to be that unknown quality in my life “ as Tommy Williams in BANES ON BROADWAY




O.WELLS : “ I’d make my promises now if I wasn’t so busy arranging to keep them” as Charles Foster Kane in CITIZEN KANE




A HEPBURN :  “ Well, it was pitch dark and there he was.. tall, blue eyes, slim, quite good looking…in brutal, mean way , Papa. A terrible man”




A GARDNER : “ You look married “ as Moira Davidson in ON THE BEACH (1959)




L. TAILOR : “ Don’t ever phone if you can possibly come yourself, and don’t ever leave if you can stay”. As Helen Ellwirth in THE LAST TIME I SAW PARIS (1954)




G. GARBO : “ Tomorrow night I’ll have forgotten you” as Katherine Blake in TWO-FACED WOMAN ( 1941)





G. ROGERS :  “ When I get back to my room, you’re the only thing I want to find missing” as Jean Maitland in STAGE DOOR (1937)





G. KELLΥ “ Isn’t it time for your milk and arsenic, darling” as Tracy Lord in HIGH SOCIETY (1956)




R. HAYWORTH : “ I’ll have to hurry. I’ve only got three hours to dress” as Maria Acuna in YOU WERE NEVER LOVELIER (1942)





J. JONES :  “ Do you know why that clock strikes? To announce the death of another hour”. As Emma Bovary in MADAME BOVARY (1949)




J. GARLAND :  “Life begins at half past one”. As Penny Morris in BABES ON BROADWAY ( 1941)




D.KERR  : "There's nothin' belligerent about it. It's entirely a question of which side I'm neutral on." --as Bridie Quilty in THE ADVENTURESS (1946).



A. LANSBURY - "As my father used to say, 'Life is war.  Don't count the casualties.'" --as Kay Thorndyke in STATE OF THE UNION (1948).


LIZ TAILOR - "Isn't that what love is -- using people? And maybe that's what hate is -- not being able to use people." --as Catherine Holly in SUDDENLY, LAST SUMMER (1959).



LIZ TAILOR - "I'm not like anyone. I'm me." --as Gloria Wandrous in BUTTERFIELD 8.




M. MONROE - "Don't you know that a man being rich is like a girl being pretty?  You might not marry a girl just because she's pretty, but my goodness, doesn't it help?" --as Lorelei Lee in GENTLEMEN PREFER BLONDES (1953).



M. O' HARA - "Faith is believing in things when common sense tells you not to."




M. O' HARA - "Maybe I should be psychoanalyzed." --as Lt. Mary Carter in TO THE SHORES OF TRIPOLI (1942).




J. SEAMONS - "Can't you believe in a love that asks for nothing?" --as Meryt in THE EGYPTIAN



B. STANWYCK - "It is difficult for anyone to speak when you listen only to yourself." --as Lorna Bounty in THE MAN WITH A CLOAK (1951).




B. STANWYCK - "You see, Hopsy.  You don't know very much about girls.  The good ones probably aren't as good as you think they are, and the bad ones aren't as bad... not nearly as bad." --as Jean Harrington in THE LADY EVE (1941).





V.LEIGH - "Whoever you are, I have always depended on the kindness of strangers." --as Blanche Dubois in A STREETCAR NAMED DESIRE.




V.LEIGH - "When the time comes when nobody desires me for myself, I'd rather not be desired at all." --as Mrs. Stone in THE ROMAN SPRING OF MRS. STONE.





H. BOGART - "When your head says one thing and your whole life says another, your head always loses." --as Frank McCloud in KEY LARGO.




G. COOPER - "What puzzles me is why people get so much pleasure out of hurting each other.  Why don't they try liking each other for a chance?" --as Longfellow Deeds in MR. DEEDS GOES TO TOWN (1936).





J. COTTEN - "He never gave himself away. He never gave anything away. He just... left ya a tip, hm?" --as Jedediah Leland in CITIZEN KANE (a .WAV file).




H. FONDA - "Son, this is a Washington, D.C. kind of lie. It's when the other person knows you're lying and also knows you know he knows." --as Robert Leffingwell in ADVISE AND CONSENT (1962).





 B. LANCASTER - "Remember, in a pirate ship, in pirate waters, in a pirate world, ask no questions. Believe only what you see. No, believe half of what you see." --as Captain Vallo in THE CRIMSON PIRATE (1952).




J. MASON - "'Traitor' is a name that winners give to losers, and you've lost." --as Sir Brack in PRINCE VALIANT (1954).




J. STEWART - "Now you listen to me.  Now it's perfectly all right for a couple of strangers to get married, but they've got to know each other before they get a divorce." --as William Smith in COME LIVE WITH ME (1941).




E. FLYNN - "To the devil with the orders!  We'll ride to the sound of the guns!" --as George Armstrong Custer in THEY DIED WITH THEIR BOOTS ON (1941).




C. GABLE - "Good morning. Remember me? I'm the man you slept on last night." --as Peter Warne in IT HAPPENED ONE NIGHT.





A. VALLI - "A dream is alright.  It's an island everybody can sail to.  But you can't stay on it, or make a life on it, or walk on it." --as Elaine Corelli in WALK SOFTLY, STRANGER (1950).






 J. WAYNE - "Don't say it's a fine morning or I'll shoot ya." --as G.W. McLintock in MCLINTOCK (1963).




C.COLBERT - "Anyway, men don't get smarter as they get older. They just lose their hair." --as Gerry Jeffers in THE PALM BEACH STORY (1942).




J.LEIGH - "There are three things you have to do when your man walks.  We call them the three 'gets'.  Get a lawyer, get a job and get laid." --as Gert Meredith in ONE IS A LONELY NUMBER (1972).





A.SHERIDAN - "It's only natural that you wouldn't understand, Henri.  You see, you chase after anything in skirts.  Anything.  They're all the same to you.  But lots of men can tell them apart.  Believe me, sometimes they find one they like better than the others.  That's called love.  You probably haven't experienced it, but you must have read about it somewhere." --as Lt. Catherine Gates in I WAS A MALE WAR BRIDE (1949).





D.KAYE - "My dear partner, when what's left of you gets around to what's left to be gotten, what's left to be gotten won't be worth getting, whatever it is you've got left." --as Phil Davis in WHITE CHRISTMAS (1954).





D.REYNOLDS - "After a while, if thing's aren't said, they aren't true any more." --as Jane Hurley in THE CATERED AFFAIR.





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